Beyond ART.
Besides her artistic engagements, Mirjam has always been interested in social sciences and the light they shed on the importance of culture and the performing arts in society. She sees tremendous value in using her experience in high-quality research to aid cultural institutions and projects increase their artistic impact, efficiency and operational resilience.
‘ARTISTS AND CULTURAL INSTITUTIONS should take full advantage of the opportunities offered by Cross-disciplinary Research and data work. by bringing academic and scientific expertise to our artistic practices, we can build a more efficient, sustainable and impactful Creative sector.’
Mirjam is a King’s College London graduate with a first-class BA Hons in Economics and Geography. She spent the second year of the degree at SciencesPo, the Paris Institute of Political Studies. During her studies, she was a merit scholarship holder of the prestigious German National Academic Foundation.
Her studies have given Mirjam a thorough analytical understanding of and academic expertise in social sciences. Three years of experience in research in the private sector and at University College London consolidated her commitment to high-quality research. During that time, Mirjam studied several large-scale health programmes and interventions and their impacts on community welfare and development. She competently lead data processing operations including project planning and evaluation, working closesly with the academic head and external stakeholders.
Today, Mirjam is an Office of National Statistics Accredited Researcher with an excellent knowledge of computer packages, electronic data platforms and statistical software and methodologies. She enjoys applying those skills to the creative economy: Her research areas of interest are centred on questions around social relevance, cultural heritage and renewal, the creative process — body and mind —, as well as socio-economic developments in and around the performing arts. Her research draws on qualitative and quantitative methodologies to gain a profound understanding how practices and developments in performing arts interact with, challenge and build society. She often takes an immersive and experiential approach to her projects, enriched by linked interview and survey data, to generate holistic and powerful insights that aim to inform creative and cultural makers and governance alike.
Past research
Past research
During her NRWKS Dance Research, Mirjam conducted a range of interviews with leading industry professionals to investigate how classical dance and heritage tradition can be reconciled with modern audiences. The final report ‘Classical Tradition / Modern Society’, provides practical ideas, inspiration and food for thought for directors, producers, creators and artists in the classical performance industry. Anyone who aims to magnify the relevance of their work and this form of art is encouraged to use the report as a resource for their own practice.
Given the vast impact of Balanchine’s choreographic innovation on modern ballet, this research explores whether his view of women and their role in society and on stage equally continues to influence modern choreographic practices today. It explains what Balanchine’s views are and how he expressed them in his works, creative process and wider hierarchies within the work environment; which parts of those patterns are still present today and how we might free ourself from them to create a less normative and more empowering dance industry today.
Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and Media within the program NEUSTART KULTUR.
GET IN TOUCH.
Research and data work in dance is a flourishing field that can unlock valuable insights for creatives, companies, and third sector entities.
Contact Mirjam to discuss custom projects or new analytics with her.